Simon Puschmann’s latest work for Kia. Simon shot the assets for launch of the Kia Stinger.
Simon recently did a fun project for BMW Magazine where he created colorful backgrounds with a pixelstick, which is a programmable stick of LED lights. In each image, all of the color and shapes of light you see, were captured as Simon and his team painted the background with light using the pixel stick.
We couldn’t be more intrigued with Simon Puschmann‘s 365 project. It’s a true labor of visual diary love; as in every single image he takes ends up being one frame in the film. One second of film has 25 frames which means he needs to take 25 images to cover one second. Music by his son […]
While not simple, it was all professional hands on deck to create these fully CGI images that were a leaning homage to the 28 degree angle of the Audi RS logo. A textbook collaboration with Zerone Group, Agency Kolle Rebbe and team Simon.
Simon Puschmann’s latest film and photo work for BWM Magazine showcasing the newly designed 4 series (think chrome and electroplated elements) is out. You can find the film, lots more stills and one of Simon’s entertaining behind the scenes on his site here Or the full BMW Magazine story here.
A dream project with motion and stills of the Mercedes-Maybach G650. client: Daimler Benz AG | project: Mercedes Maybach G 650 Landaulet | director: Simon Puschmann | agency: RMG Stuttgart | creative director: Stephan Cammarota | producer: Bigfish, Andrea Roman Perse & Gesche Carstens | service producer chile: Andres Herran | photo assistant: Daniel Montecinos | precision driver: Pamela Ammann […]
For 20+ year’s Simon has been creating his own brand of dramatic, unexpected imagery for some of the world’s most prestigious clientele — clients ranging from Audi, BMW, Hyundai, Kia, Porsche and Volkswagen to Doc Martens, FC St. Pauli and Lufthansa. And with his latest personal project about reading into faces and food, Simon once […]
While he’s known primarily for his advertising work for automotive clients, photographer Simon Puschmann recently surprised us with some of his early studio work . Our favorites were these still life beauties made for European Arts and Architecture Magazine, A&W.
Simon Puschmann was commissioned by Venables Bell & Partners to produce CGI campaigns for the Audi e-Tron, Q7 and A4 in close collaboration with his long-time post-production partner Harvest Digital Agriculture. This approach is a mainstay in Europe and a few pioneering US agencies have caught on. Venables Creative Director Matt Miller explains “Simon has […]
And to see more from the Transporters Majors, Minors, Details and Features campaign (and get shoot credits), head on over to SimonPuschmann.com
Audi’s Design Director Walter de Silva recently spoke about the starting point for all their ideas comes from the notion of the one-piece single-frame grille. Vertical slats in the single-frame grille bear the pronounced three-dimensional brand emblem. Concave surfaces around the elongated wheel arches lend the front additional width. The magic of all Audi models […]
Serendipitously for us, what Simon is good-at and what he is passionate about are one-in-the-career-same. 4-location days and 4-studio days = 19 hero images delivered electronically to Deutsch. To see the full campaign and credits, go to SimonPuschmann.com
Simon’s team was once-again inspired by the David & Goliath creatives; this time to capture this dramatically reengineered vehicles sleek & strong lines, to bring-out its sculpted surfaces, its even more cabin space, and its re-designed wraparound dashboard. Our big thanks too to producer Will Taylor for making this 11-day shoot come to locations-and-adventurous-life, well […]
Simon recently worked with BBDO Berlin and Mercedes Benz Smart to launch their new fortwo car. Simon photographed the cars in studio to be placed into the CGI backgrounds created by his longtime post collaborators, Zerone.
Simon Puschmann’s latest work for Audi’s S3. In keeping with Audi’s brand guidelines, the S series imagery needs to show the car in color against a black and white background. Simon shot the background images in Portugal and then shot the cars at a separate location. Simon said it was a tricky assignment to mix […]
When David & Goliath Design Director, Andrea Schindler, tasked Simon with creating daring, dramatic imagery of the newly redesigned Kia Soul for the dealer brochure, she explained that it would require pushing past any of their prior boundaries with lighting and prop creativity. And that’s exactly what happened on Stage #9 at LA’s Fairplex.
Delivering a 0-100km/h sprint time of 5.5 seconds — we think could pretty much describe Simon as well Audi’s newest RSQ3. And with this his 4th Audi assignment, Simon demonstrated why the Audi client continues to entrust him and his team with delivering imagery that’s expected to uphold their brand guidelines — bold, strong and […]
“The Runs” project got started about 3-years ago while out, approriately enough, on his morning runs. He would just hold the iPhone in one hand while running and just shoot. When the light and location were promising he’d take up to 50 shots and not look at them before returning home. Ultimately he has collected over 1200 […]